The White Garden Read online

  Praise for the Bestselling Historical Novels of Stephanie Barron

  A FLAW IN THE BLOOD

  “Barron—the author of nine Jane Austen mysteries—makes this career detour a THOROUGHLY ENJOYABLE one, complete with fully fleshed-out characters, seamless prose, a snappy blend of fact and fiction—and a truly stunning conclusion.”

  —Richmond Times-Dispatch

  “BARRON IS A MASTER AT CRAFTING ENGLISH PERIOD PIECES.… A beautifully written novel, filled with twists and turns, many of which seem like dead ends until the oh-my-God ending, which leaves the reader wondering, could this be true?”

  —The Denver Post

  “Be assured that no palace is a safeguard against crime, as Barron demonstrates.… Well-paced… In Barron’s expert hands, the plot moves quickly and believably. And as in THE BEST HISTORICAL FICTION, the reader learns about politics, medicine and custom along the way.”

  —Cleveland Plain Dealer

  “Barron has taken what should have been a straight-up historical mystery and set it on its ear with the precision of an acrobat. Laden with palace intrigue, petty jealousies, medical mysteries and espionage, this is a GRIPPING novel.”

  —Romantic Times

  “ENGAGING… The history of the royal line is diverting, and the royal gossip is even more so.”

  —Publishers Weekly

  “With all the earmarks of a gothic romance—unrequited love, a murderous stormy night, guilty secrets, hopes dashed, revenge plotted—this FAST-PACED mystery is a winner for fans of Victoria Holt and Phyllis Whitney, as well as the more contemporary Carlos Ruiz Zafon.”

  —Booklist

  “A REMARKABLE GEM of historical suspense.”

  —Library Journal

  AND THE JANE AUSTEN MYSTERY SERIES

  “SATISFYING right to the last revelation… Like Regency great Georgette Heyer, the author excels at both period detail and modern verve. Aping Austen’s cool, precise and very famous voice is a hard trick to pull off, but Barron manages it with aplomb.”

  —Publishers Weekly

  “Considered by some as the best of the ‘neo-Austens,’ Barron gets high marks for authenticity and wit.”

  —Booklist

  “FIRST-RATE historical mystery. Barron writes a lively adventure that puts warm flesh on historical bones. The nice thing is she does so in a literary style that would not put Jane Austen’s nose out of joint.”

  —The New York Times Book Review

  “There’s plenty to enjoy in the crime-solving side of Jane.… [She] is as worthy a detective as Columbo.”

  —USA Today

  “Barron does a WONDERFUL job of evoking the great British estates and the woes of spinsters living in that era… often echoing the rhythms of the Austen novels with uncanny ease.”

  —Entertainment Weekly

  “Cleverly blends scholarship with mystery and wit, weaving Jane Austen’s correspondence and works of literature into a tale of death and deceit.”

  —Rocky Mountain News

  “A LIVELY plot accented with fascinating history… Barron’s voice grows better and better.”

  —Booknews from The Poisoned Pen

  “Historical fiction at its best.”

  —Library Journal

  Also by Stephanie Barron

  A FLAW IN THE BLOOD

  The Jane Austen Mysteries

  JANE AND THE UNPLEASANTNESS AT

  SCARGRAVE MANOR

  JANE AND THE MAN OF THE CLOTH

  JANE AND THE WANDERING EYE

  JANE AND THE GENIUS OF THE PLACE

  JANE AND THE STILLROOM MAID

  JANE AND THE PRISONER OF WOOL HOUSE

  JANE AND THE GHOSTS OF NETLEY

  JANE AND HIS LORDSHIP’S LEGACY

  JANE AND THE BARQUE OF FRAILTY

  For Leslie, with love

  28 March 1941

  PROLOGUE

  IT WAS CHILLIER THAN SHE EXPECTED THAT MORNING, and a stiff wind shuddered through the apple blossoms—penetrating even to the desk in the Lodge at Rodmell, where she preferred to write. The wind formed a background to her stuttering thoughts, not unlike the sound of airplane engines cutting out overhead—there had been so many engines in recent months that she’d stood beneath them as they passed, her bony fists clamped to her jutting hips, staring upwards from the back garden. So many planes. So many bombs, that one had actually fallen near the house when she wasn’t looking. The river dykes were smashed and the water crept over the flat Sussex meadows as steadily as infantry.

  She had hoarded poison against the coming Germans and made death pacts—she would not be taken alive. But by winter the planes had dwindled, predatory birds bound for harsher climes. Leonard hid the poison very secretly while she was in London one day.

  And so she was forced to make other plans.

  She wrapped the wings of the ancient cardigan closer about her wasted frame and began to write.

  I feel certain that I am going mad again; I feel we can’t go through another of those terrible times.…

  He never used the word mad, Leonard. He was infinitely careful in his choice of words, as befit a good editor. Your health, he would say; your nerves. You must think about a rest. Now that the book is finished.

  The book was called Between the Acts and she thought it was probably her worst, but then she always thought that when she had finished something—drained of the dream phrases that had gripped her for months, she was light-headed and exhausted and immeasurably depressed, as women are who have given birth. In the weeks after writing The End she would refuse to eat. Loiter in doorways. Crave kind words, like a whipped dog.

  I begin to hear voices. I can’t concentrate.

  Leonard was at his most brisk during such periods. He would leave his work in the garden or the typeface he laboriously set on the hand printing press and shepherd her towards a chair, offer the bulk of her knitting, employ the hands that no longer held a pen. He would urge endless glasses of milk down her throat and forbid visitors. Keep her from travelling to London—although it was the bombs that had taken London from her now, the house in Tavistock Square cratered to its foundations. Leonard wanted the best for her; Leonard manufactured peace.

  You have given me the greatest possible happiness.…I don’t think two people could have been happier than we have been.…

  Squandering their rationed petrol, he had driven her across the countryside to Brighton yesterday, so that Octavia might look at her.

  The horror of unbuttoning her blouse before the woman doctor; the ugliness of her rib cage; the sag of nearly sixty years. She had answered Octavia’s piercing questions in monosyllables. Yes. No. I’m not sure. And then she choked out what was most important: Don’t force me to take a rest cure.

  Now she signed her farewell and put down her pen. She did not look back as she left the Lodge in the garden.

  LATER, IN HER FUR COAT AND GALOSHES, HER WALKING stick in one hand, she traversed the drowned meadows to the river.

  A bird was perched on a fence-post, not ten feet away, trilling despite the bombs: Life! Life! Life!

  Even as a child, she had dreamed ecstatically of drowning. Water had an inexorable pull: at the sight of it, she was dizzy with longing and vertigo. To stand on the bank of the River Ouse was to grip the edge of a volcano: she could hardly keep from hurling herself in. The current was nothing, close to the edge; a few days before, when she had ventured out, the ripples quickened at her knees, then sucked at her thighs, a lover dragging her to a sticky bed. Then she’d surrendered to it, sinking down until an unexpected claustrophobia overwhelmed her—the water slamming on her head like a cupboard door. She fought her way out, arms flailing and feet stumbling, her skirts dragging her back.

  She told Leonard she’d slipped into a dyke. A bit of weed twined around one leg.

  If she were to try again, she thought, it would be important to find some stones.

  She picked up a few beauties as she trolled along the riverbank. A chunk of granite; a sharp slate knife. The bird sang past her as the water eddied in the stiff breeze.

  Life! Life! Life!

  In Latin, the word would be vita.

  Sissinghurst

  A tired swimmer in the waves of time

  I throw my hands up: let the surface close:

  Sink down through centuries to another clime,

  And buried find the castle and the rose.

  Buried in time and sleep,

  So drowsy, overgrown,

  That here the moss is green upon the stone,

  And lichen stains the keep.

  I’ve sunk into an image, water-drowned,

  Where stirs no wind and penetrates no sound,

  Illusive, fragile to a touch, remote,

  Foundered within the well of years as deep

  As in the waters of a stagnant moat.

  Yet in and out of these decaying halls

  I move, and not a ripple, not a quiver,

  Shakes the reflection though the waters shiver—

  —VITA SACKVILLE-WEST, 1930

  October 2008

  Kent, England

  JO BELLAMY EASED HER RENTAL CAR CAUTIOUSLY into the Slip Road roundabout, every fiber of her body braced for the shuddering crash that must surely come, and when it didn’t—when the circular bit of carriageway remained miraculously free of maddened English drivers on this late October morning—she darted a glance in the wrong direction, cursed softly, then searched over her left shoulder for the first available exit from this particular rung of
hell. She was looking for something called the A262, which ought to lead straight to the castle, but after an hour and a half of descending from London’s Victoria Embankment through the Blackwall Tunnel, not to mention Margate and Maidstone, her patience was frayed and her calf muscles cramped. She was a brown-haired, crinkle-eyed American woman, thirty-four years of age, and this was her first visit to England—which sufficed to say that she had never driven on the left side of the road before. She had particularly never driven a stick-shift transmission on the left, and both her feet and her hands were disobeying her rational mind’s orders. She had stalled twice, clipped the left side of the car with an errant curb (or kerb, as they insisted on spelling it here), and was desperate for a stiff drink, although it was only eleven o’clock in the morning. If she did not find the castle soon, she intended to drive the darling little Mini straight into one of the massive oaks that lined the carriageway, and walk to Sissinghurst.

  And then, quite suddenly, the tower rose up from the sheep pastures and tilled fields and she felt her pent-up breath exhale slowly from her lungs.

  For years she had read about Sissinghurst, in textbooks, magazines, and glossy coffee-table volumes her grandmother kept in her small house back in the Delaware Valley. She’d known what to expect: Elizabethan tower of rosy brick, rising some five stories with a weather vane on top, lapped by the burnished farmland and woods named the Weald of Kent, or what remained of it. The tower was almost derelict when the Nicolson family bought it in 1930, and they had set about clearing the weeds and neglected cottages at the tower’s foot until a courtyard and a clutch of buildings remained. These they knit into a minor paradise with a series of gardens, as though tower, cottages, sweep of lawn, and surviving moat were a single house, half of it exposed to sunlight and rain. The Nicolsons took their meals in one room (outdoors) and made their beds in others; but the tower had been the sole province of Mrs. Nicolson: Vita Sackville-West, the writer.

  Jo frowned at her choice of words as she steered the Mini recklessly into the National Trust car park. The writer was one way to describe Vita Sackville-West, but the gardener was another. The woman had written about gardening as much as anything else, because the act of plunging her hands into dirt and making things bloom had been as intimate as sex for Vita—and she always wrote about what was most intensely intimate, including sex. She had had a good deal of that in her lifetime, with both men and women, and for this, too, she and Sissinghurst were famous. The castle was a place where genius and wild beauty were cultivated, a proving ground of eccentrics, and as Jo stopped in her tracks to stare at Vita’s tower, gazing raptly upward, she felt suddenly and profoundly unworthy. Ordinary. A visitor.

  God help her, an American.

  No, she told herself firmly. You’re a gardener. She braced her shoulders and strode in the direction of the nursery greenhouses, her shoes scuffing the gravel.

  IMOGEN CANTWELL HAD FORGOTTEN THAT THE WOMAN was coming. It was Thursday, which meant the garden was closed to visitors, and the equivalent of a Friday Tidy was under way all over the plots of Sissinghurst—the Purple Border in the Top Courtyard dwindling now that it was October to a few shafts of cardoons and late dahlias, her staff busy mowing the grass paths along the Moat Walk. She herself was examining the ratio of rose hips to lingering blossoms in the Rose Garden, her eye wandering inevitably through the Yew Rondel toward the statue of a bacchante in the Lime Walk, one of Sissinghurst’s glories. She found it impossible to keep her mind on work—the air was delicious, and the fact that it was a Closed Day meant that she had the garden to herself. No hordes of motor coaches lining up in the lower car park to disgorge a portentous group of elderly Garden Club enthusiasts, many of whom had been coming to Sissinghurst for forty years and felt entitled to inform the Head Gardener (as Imogen was) of the atrocities they felt had been committed in the name of Progress—some of whom, indeed, had actually known dear Vita as they chummily called her, or worse yet, Pam and Sibylle, the previous pair of Head Gardeners. It was complete bliss to be left to herself to contemplate the art she had grown and nurtured, and she felt a surge of grumpy ire at the sight of the unknown brown-haired woman moving purposefully toward her from the Powys Wall, her stride occasionally faltering as she plunged her nose deep into some remarkable specimen—the Hybrid Musk Vanity or Pax, each remontant in autumn. Vita had loved and collected old roses, most of which bloomed only in midsummer; the garden was a trifle thin by now, but still felt right. As it should. Except for this stranger drifting down the central axis—

  “Bloody hell,” Imogen said aloud, and stumped forward to block the interloper, this canker in the rose of her day.

  “Ms. Cantwell?”

  An American. Of course. Americans never respected Closed signs; it was enough that they had flown the Atlantic, that their schedules demanded they visit Kent on a Thursday, for them to presume that Closed meant Except For You. This one did not look the type to wave a fifty-pound note under the Head Gardener’s nose, as a special plea for admittance, but one never knew. The functional Merrells and the corduroy jeans, the light cardigan and the hair cinched with elastic, might be merely the protective cover of a rapacious hunter, the kind that snatched cuttings of Sissinghurst flowers and smuggled them home in her Vuitton suitcase. Imogen prepared to be at her most British, her vowels forming plummily even before she uttered them, her Lancashire childhood receding before the Enemy.

  “I’m dreadfully sorry, but actually the garden is closed on Thursdays for general maintenance. How did you happen to get in, I wonder?”

  The woman looked bewildered. “I was told to stop at the Head Gardener’s office, down by the service area, and one of those people sent me over here. Is Ms. Cantwell around? My name is Jo Bellamy. We were supposed to meet this morning.”

  “Bugger,” Imogen said, in two short, explosive syllables. “Of course we were! Forgive me, Miss Bellamy—I’m in fullblown menopause at the moment and my mind is a treacherous sieve. You wanted to see the White Garden, am I correct?”

  “Yes. If it’s okay. If I’m not—”

  “People always do,” Imogen said briskly. “I’ll wager it’s the most admired bit of ground in Europe, and the most copied—although rarely with success. That’s why you’re here, isn’t it?”

  It was all coming back, now, as she swung into the Yew Walk—which was heavily shaded, claustrophobic and narrow, like some sort of Gothic tunnel to the Underworld, so that Jo Bellamy fell into step behind her rather than attempting to walk abreast. Imogen had received an email from the woman in September, with a request that was tediously common: some rich client in New York with pretensions to Olde World Grandeur had decided she must have the White Garden in her backyard, and had sent Jo—who claimed respectable-enough credentials, a degree from the School of Professional Horticulture at the New York Botanic Gardens, an M.A. from Longwood—to study Sissinghurst and carry it wholesale back to the potato fields of Long Island. Infuriating and pathetic, as all Garden Plagiarism must be, but not particularly against the law. Imogen usually presented a quelling façade of unwillingness that the humble supplicant from Abroad was forced to overcome, inch by inch; relenting at last, and granting access to the Inner Sanctum—the closely guarded cultivation secrets, handed down from Vita to Pam to Sibylle to Imogen—only after a substantial but sub rosa donation was tendered to the National Trust, earmarked for the preservation of Sissinghurst Castle Garden. Jo Bellamy had jumped through these hoops intrepidly, on behalf of an unknown Mrs. Graydon Westlake, of East Hampton; she had written intelligently of cultivation standards and soil composition in New York; she had even invoked her English grandfather, a Kentishman. And Imogen had made this appointment she promptly forgot.